Proposed Title: Saint Sebastian with a Donor Subject Matter: The painting depicts Saint Sebastian, bound to a tree, with arrows piercing his body, looking upwards with an expression of serene resignation. To his left, kneeling in prayer, is a richly dressed male donor figure, whose gaze is directed towards the viewer. In the background, a detailed, misty landscape unfolds with distant mountains, a meandering river, and a small, crumbling classical ruin. A faint, almost imperceptible halo hovers above Saint Sebastian's head. Brushwork: The rendering of the figures exhibits an attempt at sfumato, particularly around the contours of Saint Sebastian and in the blending of the landscape elements, creating a soft, hazy atmosphere. However, some areas, particularly the drapery of the donor figure, show more defined, almost crisp lines, and the transitions in color within the donor's robes are somewhat abrupt compared to the subtle gradations on Saint Sebastian's skin. The brushstrokes in the background landscape are very fine and layered, suggesting a meticulous build-up of atmosphere. Composition: The composition is generally pyramidal, centered on Saint Sebastian, with the donor figure forming a solid base to the left. The tree to which Saint Sebastian is bound creates a strong vertical axis. The spatial recession into the landscape is handled with atmospheric perspective, but the relative scale of the distant ruins feels slightly off. The figures exhibit a certain grace, but the donor's proportions, while generally accurate, lack the fluid idealization often seen in masterworks of the period. Color Palette: Dominated by earthy tones, muted blues for the sky, and rich reds and greens for the donor's attire. The skin tones of Saint Sebastian are pale and luminous, enhanced by subtle highlights, while the donor's complexion is warmer and more ruddy.